Archive for the Blues Category

Allen Ginsberg First Blues- Rags, Ballads and Harmonium Songs (1981)

Posted in 1981, Allen Ginsberg, Blues, EEUU, Rag, Rock with tags , , , , on 27 marzo 2017 by wirtis

Hello my friends, today i bring you a really shit, almost for me. And it`s not a joke, no way wey. This album, I have to say it, it`s have the unique value for me to be a document, not FW37560more. Maybe you have listen about this lovely guy, Allen Ginsberg. He was the poest mos famous of “beat generation”. I really don´t like the beat generation, they were too chetos de mierda for me, always put in face and taking pictures of the group. ¡Oh, came on boys! Be more raw. So didn`t like Allen Ginsberg.

This record it`s so boring men that I prefer spend my time watching some ugly love novel. However, my very good friend de green dog ask me this shit, he told me: “Hey, Miguel, why you haven`t share that record of Ginsberg, you know I like it, share it, boy, share it” And I love my friend so this it`s what I do: Put this ugly record here and make the very first awful critical about a record. So here it is friends: Allen Ginsberg.

Ah, cuates, maybe the mp3 it`s broken. Sorry about that, it`s the only I have. However you can find this in Internet, that’s where I found it.

VA – Blues Divas`1950

Posted in 1950, Blues, Rock, Varios Artistas with tags , , on 29 noviembre 2016 by wirtis

blues-divas-1950sIn my darkest hour i left you this gem of music/ A fine compilation of created by genre/ I always love the way and mood women have to sing/Maybe is my prejudice mind making judgments/ but, let me tell you friend/ I always find more interesting women in music/Their history always began by a rebel act: choose something different, outside from the stereotype/

Here I let you a piece of real good shit/ It’s a great compilation/Enjoy my brother/ I`ll back next year/At list things change/  VA – Blues Divas 1950’s

Bey Paule Band – Not going away (2015)

Posted in 2015, Bey Paule Band, Blues, EEUU, Funk, R&B, Rock, Rock & Roll, R`n`R, Soul with tags , , , , on 30 mayo 2016 by wirtis

Not Goin' Away '15Good night my friends. Here i come again. This time I share a great band I discovered a few weeks ago, sailing in the dirty Internet. Bey Paule Band is the name. I didn´t know this guys. This is their second album. A great jukebox of fifties and sixties sounds. But with high definition.

The most great thing that happens with this records it`s that my son enjoy very much shake his body at the way of the music. My son have one year old so I put this record over and over again because he became happy and put through.

So here I bring for you, my brothers. This beautiful piece of rock and roll. Don`t lose it, links goes down quickly in zippyshare. Here you have Bey Paule Band.

Beth Hart & Joe Bonamassa – Don`t explain. (2011)

Posted in Beth Hart, Blues, EEUU, Hard Rock, Joe Bonamassa, Rock & Roll with tags , , , , on 24 noviembre 2014 by wirtis

HartBonamassa_Dont_ExplainGood afternoom my brothers. Today i bring you a great piece of rock and roll: “Don`t explain” by Beth Hart and Joe Bonamassa.

I don`t know if you knew about them. Me really don`t, until few days ago when a friend told me: Hey, Miguel, let play some rock and roll, would you? Let me explain one thing about me: I don`t feel confident about play with others, I don`t trust myself, you know so I felt scare. However that`s happened always since I remember. So I thought: “fuck, Miguel, you can`t be such a pussy shit like you was, come on, be a man”  And so do it. I said my friend: ok, girl, let roll.

So, we are practice once a week. Cool, real cool. So, was her who meet me Beth Hart and Joe Bonamassa. With this album that is great. Here you are going to find a punch of excellent covers, in rock and roll mood. I strongly recommended for dirty mind like yours, my visitor friend. And, if you like rock and roll in their classical form – I mind drums, bass and guitar – here you`ll found a lot. But, at list for me, the most great thing in this record is Beth Hart voice. This woman sing like hell. My friend told me she is the Janis of this days. I agree with her. So friends let this piece of rock and roll: Beth Hart & Joe Bonamassa – Don`t explain.

The Cramps – Flamejob (1994)

Posted in 1994, Blues, EEUU, Garage, Psicobilly, Punk, R&B, Raw, Rock, Rockabilly, Surf, The Cramps with tags , , , , , , , , , on 27 enero 2014 by wirtis

Good night brothers. Today i bring you something classic, something you have to know if you are a really rock and roll fan. Yes, you sucker, today I bring you The Cramps ¿Have you listen this band, boy?

ImagenOk, I’ll tell you a little about The Cramps. The history began in 1972, in Sacramento (California) when Poison Ivy (Kristy Wallace) meets Lux Interior (Erick Purkhiser). They were two kids fascinated by obscure 50 noise rock and roll and free mind theory’s. So they found their selves in University, in “Art and shamanism” business.

Early they were playing and sharing music. Poison Ivy began to play guitar and Lux Interior to sing. From the beginning they were different to any other band, because they sound dirty and raw, always imitating old band sounds. In fact, brother, you can even imagine garage revival or psycobilly without The Cramps. So important is their function in rock and roll history. Of course, in underground history, but that`s why The Cramps are here and never is going be here shit like Tan Biónica ¿Right?

Well, is not my intention to make a long declaration of knowledge here, no brother. My intention is explain   to you what is what I’m sharing and what is it part in music. This record, Flamejob is the first (and I’m not pretty sure but I thing is the only too) album made for a multinational company: Warner. Yes, so high they arrive but, like always, their sound was so nasty, so god dam dirty that company fired them. So they send Warner to hell and made their own studio. There, they recorded a few disc more.

In 2009 Lux Interior passes away at the age of 62. The rest is history. So here I let you this one, a very, very good album, full of raw and dirty music. Enjoy Flamejob by The Cramps. And enjoy Andre Willians too.

 

Andre Willians – Silk (1998)

Posted in 1998, Andre Willians, Blues, Boogie, EEUU, Funk, Garage, Punk, R&B, Raw, Rock, Rockabilly with tags , , , , , , , , , on 26 enero 2014 by wirtis

ANDRE WILLIAMS: el Bukowski negro

silky2Podría haber conocido a ANDRE WILLIAMS en alguno de esos bares donde el moho convive con la cerveza berreta y prostitutas más borrachas que uno. Quizá en una mesa bien alejada hubiese levantado un vaso, escupiendo su vino, el extra-ordinario Bukowski. Pero Charles ya lleva varios años en otra dimensión: de hecho siempre vivió en otra. Por eso, una noche, en un bar virtual con cerveza berreta real pero prostitutas también virtuales, conocí al viejo Williams. Me contó de su niñez en Alabama, junto a su madre en una vivienda sin terminar. Corta infancia que tuvo su fin a los 6 años, con la muerte de mamá y la adopción de sus tías hasta el mismo día que cumplió 16 y se fue en soledad a Michigan.

Inmediatamente se metió en el mundo más oscuro de la música. Llegó a Fortune Records tras conocer a sus dueños errantes y empezó a tratar de cantar en esos ocultos estudios, al fondo de la peluquería. Sí, sesionó para algunas bandas como los 5 DOLLARS. Cotización ideal para sus dotes de cantante. Pero su desenfado seguía seduciendo a la Fortune. Probaron cambiando el nombre: Andre Williams and the Don Juans, o simplemente Andre ‘Mr Rhythm’ Williams and his New Group. Paradójicamente, “Mr. Rhythm” no daba con el tempo. Entonces intentó algo más o menos novedoso: escupir los versos como su negra garganta los fuera vomitando. Lo divertía la idea de “cantar”, contra todas las limitaciones con que la vida, el mundo y la naturaleza lo habían recibido. Hasta que la Epic Records se interesó en su estilo y le compró una canción a la Fortune. “Habrá sido 1957”, me contaba Andre con su áspera vocecita apaleada por años vehementes, tragos infames, noches heladas, colillas del piso y besos multienfermos. Unos años después, sus amigos de la Fortune invirtieron las regalías y editaron una especie de “Grandes Exitos” de THE DON JUANS. Y con un cuarto de siglo ya sufrido, los gritos de Andre Williams empezaron a hacerse oír. Blues, R&B, big bop, soul… alma negra después de todo, pero con ingredientes que aún no se inventaban.

El estilo sedujo a la bendita Motown, le produjeron el simple “Rosa Lee” y conoció a artistas del sello que opacaban su capacidad interpretativa. Entonces se dedicó a escribir canciones, y a producir a estos artistas. Y le escribió a STEVIE WONDER, a los FIVE-DU TONES, a IKE & TINA TURNER. El nombre Andre y el apellido Williams empezaron a pesar en el soul y en el funk, pero lo de él, lo suyo, seguía siendo algo que no se conocía, que no se encasillaba y que recién años después se pudo definir más o menos como “blues punk”. Siguió escribiendo, produciendo, y hasta se animó a ser manager. ALVIN CASH, THE CONTOURS, EDWIN STARR, confiaron su éxito en el carismático estilo reventado de Andre. Se paseó por otros sellos, se dio el lujo, al fin un lujo, de grabar algunas canciones suyas, porque después de todo eran suyas, que hoy resultan memorables e imprescindibles. Tanto trascendió su olfato para el manejo oportuno en ambientes turbios, que hasta el mismísimo GEORGE CLINTON  le pidió canciones para los PARLIAMENT y los FUNKADELIC, sus épicas bandas que sentaron las bases del funk posmoderno. Entonces, el viejo “Sr. Ritmo” empezaba a cobrar vida verdadera: ahora sí respondía a su inocente apodo. Pero lo de Williams iba más allá de cualquier estilo musical que inventara, interpretara o ayudara a crear sin saberlo.

andre-williams-print-jacket_390 Ya se terminaban los 70 y la idea de seguir ensuciándose las manos con la industria de la música le parecía menos atractiva que la de ensuciarse las manos con la calle, con crack, con alcohol sin etiqueta y dinero mendigado, durmiendo bajo algún puente con mujeres desconocidas cuyas almas valían más que sus cuerpos y esas miserables monedas, pues tenían la suficiente pureza para lavar sus manos con la saliva del desinterés y contener su alma con el cariño de la entrega absoluta. Su cuerpo no importaba, era la única cosa material con la cual estar vivo era tangible.

Década y media en la indigencia y la inmoralidad podría destruir, precisamente, la moral a cualquiera. Pero en  1996 Andre se reencontró con viejos conocidos de ruta y se propuso grabar un disco. Y lo hizo, sí, con nuevas versiones de viejas canciones. Ni el público ni él se sintieron satisfechos. Es más: él ni siquiera se sentía atraído por “Mr. Rhythm”. Ni el disco ni él le gustaban. Entonces comprendió que volver a sus raíces no era volver a sus años de juventud, a lo que hizo o lo que podría haber hecho. Comprendió que volver a sus raíces era permanecer fiel a sí mismo: inventar, innovar, generar, gritar, alarmar, corroer, destruir, construir. Se armó una banda genial y sacó un discazo: “Silky”. Sedoso y provocativo desde la portada hasta el último surco. Un strip-tease violentísimo y por eso irresistible de su propia alma y de la de cada una de sus mujeres y sus anécdotas. El disco más indecente de la historia. El que todavía enfada a los críticos por no encontrarle un rótulo. ¿Y qué es un crítico sin poder etiquetar? La nada misma, como el propio Andre Williams pero sin saber perder.

A partir de allí siguió rodeado de bandas emblemáticas del ruido, la desprolijidad precisa y la sordidez. THE SADIES, THE DIRTBOMBS, THE DIPLOMATS OF SOLID SOUND, GREEN HORNET, MARSHALL BROS, THE NEW ORLEANS HELLHOUNDS y hasta JON SPENCER. Bandas de garage “de ahora”, digamos, con el Andre Williams “de siempre”, pero actualizado. Tanto que, gracias a su disco de 2000, se reinventó con un nuevo mote: “El Padrino Negro”.

OLYMPUS DIGITAL CAMERAMi amigo Andre está por cumplir 75 años, ahora en noviembre. Su último disco, “That’s All I Need”, no ha cumplido ni 1. Y lo sigue reflejando molesto, gracioso, aburrido, divertido, violento, suave, callejero, de salón. Intenso como Nick Cave, siniestro como Tom Waits, ruidoso como Sonic Youth, delirante como los dos Screamin’ (Jay Hawkins y Lord Sutch), engañoso y destructor como los Pixies, seductor como nadie y violador como ninguno.

Combinando mágica y perfectamente la energía de la juventud con la energía de SU juventud. Que es de otra dimensión, como la de Bukowski esa noche en ese bar. Que después de escupir su vino se rascó el sobaco y se fue con la prostituta más fea del lugar, manoseándola con descaro por el sendero de los perdedores. Si hubiese estado en esa mesa alejada, si hubiese vivido en esta dimensión.

¿Loco? LOQUÍSIMO

 

 

 

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VA – Mondo Zombi Boogaloo (2013)

Posted in 2013, Beat, Blues, Boogie, EEUU, Garage, Instrumental, Los Straitjackets, Melódicos, Mexico, Pop, Psicobilly, Punk, R&B, Raw, Rock, Rockabilly, Rural, Southern Culture on The Skids, Surf, The Fleshtones, Varios Artistas with tags , , , , , , , , , , , , on 8 enero 2014 by wirtis

Hello my brothers, here i come again. Maybe is because I’m running away from real responsibilities, maybe because I don`t want to face the truth, I don`t know but I spending all my free time posting here ¿Have you notice, dear? I have it, so I put myself thinking very hard in it.

coverLong days pass doing this. Also I was ill brothers. Yes, illness took myself and launched me in hell. First with a pain full stomachache and after, when I was beginning to eat normally, a very strong flu took me. ¡A shit, Miguel, what fucking looser! I thought myself. And is not too much to say it, brothers, because I spend in diet a real yummy food and that was hard, very hard for me because I’m a glutton boy. I know, that`s way I get ill in first time but, what can I do? I can`t quick eating. However I can control myself and could spend whiteouts eat.

In order to get confused my mind I went to my pc looking something get me out of here, something give me a different point of view. And that`s when I found this record I offer toy you today.

One of the many good things in this album is that there were recorded by Los Straitjackets, The Fleshtones and Southern Culture on The Skids. Each band have pick up one song refer at Halloween topic. The special songs for me are all but is great the version of Monster Mash in Spanish played by tree bands. However this album is a trip for many genres because you have rock and roll, garage, western, Mexican, fuzz, rockabilly and plenty more rhythms.

There are in album too, a very good version of Ghostbuster (yes sucker, the main theme of movie), an excellent cover of The Deadly One (A great surf piece master here in this blog too, take a look around) a cover from main theme in Frankenstein and many, many more shit brothers. A great album is this one and an excellent piece of rock and roll. Ideal for get the fuck out all the illness that took my self yea, with that and cocaine all pain is going to disappear, I know. So here you have: VA – Mondo Zombie Boogaloo 

Electric Shit – Dowtown Blues (Ep)

Posted in Blues, Boogie, Electric Shit, Hard Rock, Rock with tags , , , , on 29 diciembre 2013 by wirtis

ImageHello my brothers, here i come again. ¡Twice in a day, wau Miguel, what in hells happen to you! I don`t know but I need to writte. I need it a lot, so here I`m again. With more music. This time with Electric Shit, a real shit band with a very raw and wild blues sound. The stuff I bring you today only is a single but is a piece of really rock brother. So you must to listen if you want to know about new forms in blues. Because blues is not only old stuff (I agree old stuff is really good, but, come on, you must to evolution brother) there are a lot of very good material in new blood. So take a time and listen this with your old woman brother. You are going to enjoy, I mind it. Well, I have to go now. A long night in loneliness is waiting for me. Here you have: Electric Shit – Downtown Blues. Enjoy, you sucker.

Carca – A un millón de años blues (1996)

Posted in 1996, Argentina, Beat, Blues, Carca, R&B, Rock with tags , , , , , , on 25 diciembre 2012 by wirtis

aunmillondeanosblues.1Hello you fuck losers! Here I come before Christmas with a little of rock and roll. Yes! I want to be in your dinner tonight. So I decided bring you some rock. This time I chose a great and dark album: A un millón de años blues from Carca. I don`t knows if you have listened this tall man, but, if you don`t I think this is a perfect album to start. Let me tell you about this boy. He appears in early nineties like frontman of Tía Newton a rock and roll band in the same line of the movement know it like “Nuevo rock argentino”. In this wave appear groups like Los Brujos, Peligrosos Gorriones, Los Visitantes, Martes Menta, Tintoreros and Babasónicos. Tía Newton haven´t such a succes like others band, so they break up their group. And Carca, the main mind in band decided continue alone, like soloist. He didn`t bad at all: publish three records (as I know) in a real good line and with different esthetic proposes. Here I bring you the second one, published in 1996. Here the musician makes a dark album, loaded with deep lyrics and heavy guitars.  For me is an excellent album that represent a moment of break in my country. Also this album can be compared with legendary “Biblia” from Vox Dei but in the opposite side because is a hell travel in the deepest of torture soul.

So, like you see brothers I bring you something dark at the end of the year. This has been a fucking bad year for me and my people. I`m glad to see it go and never come back. That`s why I bring you sad music, with plaintive lyrics and raw. Maybe, if my will let me i`ll bring you something more for the New Year night. But I don`t know. Today I let you this. I hope you enjoy and listen this beautiful gem from Argentina, country of inequalities and break it dreams. Enjoy brother, life is too short and you`ll be here forever. Listen and enjoy: CarcaA un millón de años blues.

By suckers, i see you in the other blog, in the other side one of these days.

Ciencia Blues y La Fecundación del Sistema Solar

Posted in Argentina, Blues, R&B, Rock with tags , , , , on 2 diciembre 2012 by wirtis

TapaHello you losers. Today I bring you more music. This time I come with a little of blues but not in common way brothers, no. Today I bring you a real good band called Ciencia Blues y La Fecundación del Sistema Solar. I meet this band thanks to this page. Take a look around and find some great band from argentinian`s underground. Well, like I was talking I dow load Ciencia Blues because their name got my attention a thought “Why not?” And, at the same time, joining words with action, I do it. A thanks god I did it because I find an excellent band that makes a real raw blues, with attitude and balls. For me, this band, is in the same line that R.L. Burnside and his drunk blues.

But isn`t that everything that Ciencia Blues gives to us, no brothers: they remains, with their psychedelic and acid ambient, sixties and seventies band`s. Yes, there are very good band because they have personality but clear influences too. I think, when you can combine both and make something particular, something your; you are in good way.  The album I bring you has only six songs all of them really good, with heavy and powerfully riff and progressive lines. So my brothers I let you this band. And I let you too the facebook link, so you can go there and give a hug to the Ciencia Blues y La Fecundación del Sistema Solar crew. I see you soon you bastards because you know: this is my only place in the world, where I can be me and scream my fears without anybody said something. Well friends I have to go now, yes I have to leave you.

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